Tatiana and Olga 2010

Tatiana and Olga  2010

Wednesday, November 23, 2011

Nikolaevna 1915







When all was said and done, my 48 X 36 painting of the Grand Duchess Olga,Tatiana and Maria Nikolaevna from a 1915 photo ,took nearly a year.



Remarkably, everything but their faces was a battle. The faces came in early and acted as north stars to keep me going. How could I quit if they were looking at me? It was getting the complicated dresses , body placements and creases to fit together properly that took the time. I painted Marie's skirt and Olga's sleeve many times over , even Marie's hat took a week to gain a foot hold much less the amazing veils worn by the other girls! But also one needs to take one's time in order to expand one's vision. I'd love to capture a good likeness and move on...but the paintings always seem to ask for more than that. They say: you have come this far...why not come a little further? So in a real sense I'm grasping and reaching footholds up a mountain's face as I paint ...that's how it feels.




Indeed...for me, as an untrained person, painting the Romanovs is like taking a trek across a mountain range and really, I can't predict what will happen. However I'm not complaining! It's a marvelous journey each time . I'm very blessed to have this creative endeavor in my life . But every inch of canvas has its story




It took a year... and I repainted many areas over and over , but it was never boring or repetitious because each time I had more knowledge about that area and was eager to apply it




The whole Romanov painting experience is a miracle to me



In this photo the three eldest daughters of Russia's last Tsar, Nicholas II , are awaiting transport to the last state funeral of Imperial Russia in 1915. It was for their father's cousin, Grand Duke Konstantin Konstantinovich. It was a funeral for a Grand Duke and a world.

It's the only photo take of them that day that I have ever seen and it appears to be taken causally as a late minute affair....It's quite a picture of sisterly devotion and one can see Marie taking her place as a pillar of the family. Anastasia is missing because it was felt she was too young to attend .




I'm certain this photo of the girl's mother Empress Alexandra was taken at the same time. It's also a powerful photo and I believe I will have to paint this one some day...the suffering her face is remarkable



My Nikolaevna 1915 painting is now in the Romanov gallery I have established in my home.


This painting was so big, I had to make two videos and not just one. The first one is a short one just about the painting. The 2nd video puts the painting into context and tells the story of 1915, the family's own funeral 80 years after thier deaths and hope for the future one when Alexis and his sister join the rest of the family



Nikolaevna 1915





Nikolaevna 1915-1998







I'm well into my next Romanov painting and it's the first one from a photo taken in captivity. After spending nearly a year painting the three eldest daughters of the last Tsar, I knew the most famous one , Anastasia, would want her own! As with most of them, her face is well along as I labor though the skirt and hat. Her shirt is caught by the tree stump edge and that effects the creases. It may be a stump, but at time it appears to be a throne. It's both causal and formal at the same time. There is apprehension and caution on her face and small wonder. The world has turned upside down . I'm doing the whole figure, but I'm posting a close up of the painting in progress...







in progress: Anastasia 1917



Sunday, July 17, 2011

Romanov Sketchbook

I have recently begun making quick Romanov sketches besides my paintings and find them so enjoyable, I decided to compile a book of them called : Romanov Sketchbook.

Here are three new works






Olga Nikolaevna on board the Rus 1918

9x12 watercolour by Anne Lloyd 2011


This piece is based on the last known photograph of Grand Duchess Olga Nikolaevna taken on board the ship, Rus in May of 1918. After weeks of separation, Olga, her sisters , Tatiana , Anastasia and her brother Alexi were on their way to join their sister Marie and their parents in Yakerinburg. The family and four others with them were to die there on July 17, 1918

This is an especially poignant image Not only because it's the last known one of Olga. But also because it was taken on board a ship...and one remembers how much Olga Nikolaevna loved her family's yacht, the Standart . What a difference here and who can guess her thoughts?





Marie Nikolaevna wading in the Black Sea 1916

8x10 watercolour by Anne Lloyd 2011



This watercolour of Marie is based on a photo from a group of photographs taken of the family on the Crimean coast in 1916. It seems a rare impromptu day for the Romanovs as they are at the beach in their street clothes! Marie raises her hem as she wades in the waves. The wind was fluttering her collar and I have that as well .



Titania Nikolaevna letter writing in Tobolsk

9 x 12 watercolour by Anne Lloyd


This sketch is not based on a photo. But was inspired when I read a quote from one of Titania's letters in captivity. She wrote these days were hard , but....... " God will surely help us and we will meet in better times" .

While it is not based directly on a photo of Tatiana , I did use a photo of Anastasia sitting at this desk in the girl's bedroom as a reference. I will be making a number of images about the time where we have no photos...the family's final days


After 8 months, my 1915 painting of Olga , Marie and Tatiana dressed for the last Imperial Russian state funeral is completed and I will be doing a photo about it shortly.




















Thursday, May 19, 2011

OTMA 1916



A small post with big photos of the four daughters of the last Russian Tsar








Olga and Tatiana


Maria


Anastasia




OTMA's final formal portrait was taken in their mother's drawing room at Alexander Palace. It was one of the few rooms not destroyed during Nazi occupation.

Alexandra's drawing room as it appears today











Monday, April 4, 2011

OTM 1915 Update




As readers of this blog know, I'm current painting Grand Duchess Olga, Tatiana and Maria Nicolaievna Romanova using as a reference a photo of the sisters taken in 1915 as they await transport to the funeral of their father's cousin, Grand Duke Konstantin Konstantinovich . His was the last state funeral of Imperial Russia .


In three days time , I will have been working on the 38X48 painting for 6 months!

People have stopped asking me when I will be finished and it's just as well, since it seems I'm the last to know. I thought I would be done long before this. But every few painting sessions I see something I had previously missed and then it has to be included of course. Or I see a mistake and that has to be corrected naturally...


However after saying all this I must add how rich and rewarding this experience as been...the challenge is how much enjoyment can one stand? I have already exceeded my wildest hopes. It would be temping to simply say " enough". But then the question is : how much river boat gambling can you take? Because once you are fairly far along, the courage it takes to risk what you have achieved in the hopes of gaining more can be exhausting .

Lucky I was always able to reach the next stepping stone. But one could easily lose the one and not achieve the other. Once a new plateau was reached, I would think " well that's great. I'm finished in that area." But after awhile I found I would see the need go further....particularly if other areas were improved ....and every time one changes one thing, everything had to be reconsidered. So many times there was nothing for it, but to gather my courage again and address the situation...almost always the soundness of this decision was shown and quickly.


I got the girl's likenesses quite early and this was vital for the sake of encouragement. Then it was a matter of putting in the time for everything else. The photo is very rich in detail and the arrangements of the sisters is also fairly complex in that Maire is neither standing or fully siting ...she is half siting on Olga chair's arm.

This was a habit of Marie's. It's touching to see she has her arm around her eldest sister. Marie's thumb is visible on Olga's right forearm. Marie was a warm and loving young woman. But because of her unusual sitting position, her torso is twisted. That makes it tricky. Part of her body is turning away from us . So I was thrilled when just a day or so ago I was finally able to make sense of the center of the painting, where Marie's order of St. Catherine meets Olga's right shoulder.... and we can see Marie's position properly


Painting the red sashes helped a great deal. The sashes don't go straight across...they go up and down and over in wavy lines. Just this item alone has been fascinating to paint...to sort out what one "sees" and what is there. Over and over I receive benefits from doing just what the photos says....and still I don't feel limited by that.

Perhaps because I'm adding colour, or simply because a painting of a photo is not a photo ...nor can it be no matter how exact. The last major item to be painted are the girl's Order of St Catherine, really almost the icing on the cake.

When will the painting be finished? I can't seem to say. However I can promise that when it is, no one will be disappointed in the result.

Tuesday, February 1, 2011

Dr. Botkin's last letter.

Dr. Eugene Botkin with his children, Tatiana and Gleb.

I recently read Dr. Eugene S. Botkins's last letter, addressed to his brother, Alexander. I was so moved by Dr. Botkin's letter and what this man says , I had to make a video.

But there are so few photos of Dr. Bokin that I know of, that I decided to made drawings of him especially for this video to illustrate his letter.This letter was found by the White forces in 1918 when they captured Ekateringburg Siberia, and searched " The House of Speical Purpose " as it was called, where the last Russian Tsar and his family was held in the early to mid summer of 1918.

Dr. Botkin was one of four companions that were still with the family at the time of thier deaths.

They were :

Footman : Aleksei Egorovich Trupp
Maid: Anna Stepanovna Demidova
Cook : Ivan Mikhailovich Kharitonov
and of course, Dr.Yevgeny Sergeyevich Botkin .

Dr. Eugene S. Botkin (1865-1918) was the court physician to the last Tsar of Russia, Nicholas Romanov, and his family. He took this position in 1908. When the family was arrested and imprisoned in 1917, Dr. Botkin elected to join them.

Because doctors were so scarce, the Bolsheviks would have allowed Dr. Botkin his freedom at any time. But his physician's oath was more to him than his life and he writes about this in his letter.

This is the first time I made art for a video...usually I make the video for art! In my research, I found an excellent blog post about Dr.Botkin.

This was quite a man http://tinyurl.com/48mse9j

Here is the text to Dr. Botkin's last letter

I am making a last attempt at writing a real letter -- at least from here -- although that qualification, I believe, is utterly superfluous. I do not think that I was fated at any time to write to anyone from anywhere.

My voluntary confinement here is restricted less by time than by my earthly existence. In essence I am dead -- dead for my children -- dead for my work ... I am dead but not yet buried, or buried alive -- whichever, the consequences are nearly identical ...

The day before yesterday, as I was calmly reading ... I saw a reduced vision of my son Yuri's face, but dead, in a horizontal position, his eyes closed.

Yesterday, at the same reading, I suddenly heard a word that sounded like "Papulya". I nearly burst into sobs. Again -- this is not a hallucination because the word was pronounced, the voice was similar, and I did not doubt for an instant that my daughter, who was supposed to be in Tobolsk, was talking to me ...

I will probably never hear that voice so dear or feel that touch so dear with which my little children so spoiled me ...

If faith without works is dead, then deeds can live without faith ...

This vindicates my last decision ... when I unhesitatingly orphaned my own children in order to carry out my physician's duty to the end,


as Abraham did not hesitate at God's demand to sacrifice his only son.




And now the video

Saturday, January 22, 2011

Painting update and a video

I have started month 4 on my painting of the three eldest daughters of Russia's last Tsar depicted when they were about to attend the last state funeral of Imperial Russia in 1915. The painting is taking some time! But it's fairly complex arrangement. Three portraits and just as challenging, the mourning out fits! I have discovered a great deal about a photo I have known for 40 years.

For one thing , Olga Nicolaievna, the Grand Duchess who is sitting, her veil does not end at her waist as I thought all this time. That is simply a fold. The veil goes all the way to the ground!It's all that material one can see on our right and Olga's left. She and her sister, Tatiana must of seemed almost tee-pees of grief when they stood. Because they mostly wore the same out fits, even though Tatiana is in deep shadow, we have a good idea what she wore this as well. This is a help for an artist...you have 2 chances to see the garment.

The black on black embroidery on Olga's dress was a discovery as well. It's in two bands on her tunic and then become one strip down the middle of the skirt. Marie, the Grand Duchess sitting on Olga's chair arm, is dressed in a less grown up manner. She was just allowed to put up her hair, a rite of passage at the time. The fourth daughter, Anastasia, was considered too young to attend.

Really the effect of the elaborate clothes, their youth and the stupendous jewels of their orders of St Catherine brooches must of been dazzling. The reflected sun light from the diamond and ruby brooches splash the shadows. Olga's face has pin points of light from Marie's order. The brooches can be seen pinned on each girl's sash, which was bright red with sliver piping on either side.



The words read : "For love of fatherland"

The Order of St Catherine was given only to the consort and daughters of a Tsar

The Grand Duchesses are outside, and I gather are awaiting transportation to the funeral of their father's cousin, Grand Duke Konstantin Konstantinovich . The girls knew him and his family very well. The Grand Duke had lost a son early in WW1 and never recovered from this loss

I'm so close to being finished that I will wait to post the completed painting.
But I wanted to post something of an update. It's been interesting to be engaged in a creative project that takes months. It's a journey and ever evolving...we live in an age of instant potatoes and gratification...but I have learned to enjoy taking my time and the stops along the way. Really the photos of the Romanovs seem to demand this as they have endless secrets and only close study can reveal them.

What is also taking time is the size of the painting. But I will mostly likely continue to create large paintings of the family. It enhances the impact, but also it's easier to get a good likeness if a painting is bigger...you have room to develop the portrait.

Another item I wish to post is a short video I made about the two eldest daughters ,Olga and Tatiana, known in the family as The Big Pair. My painting of them in their WW1 nurses uniforms last year started my Romanov painting adventure.

Thanks girls!

Wednesday, November 10, 2010

Tatiana Nikolaevna Romanova 2010















My portrait of Tatiana Nikolaevna is finished and so I have completed the OTMA 1914 series begun in May with Marie

Tatiana Nikolaevna Romanova is considered by many as one of history's great beauties . She was unusually looking , some say exotic. In the reference photo I choose for my painting , Tatiana's head is tiled at an angle which can alter the appears of a face's features. All this adds up to quite a challenge for an artist and she did give me a hard time at the start . But the only remedy is to keep painting and paint one's way out of trouble . It took awhile, but I got back on track...

As an artist painting Tatiana is made difficult not just for the challenges
I mentioned, but also because no one agrees on her description!


Buxhoeveden: - dark hair, light brown eyes
Dehn: - "dark chestnut" hair, "deep blue" eyes
Gilliard: - "auburn" hair
Vyrubova:- "rich brown" hair, eyes "so darkly grey" that they appeared "quite black" in the evening


Brown, blue, grey,...and I have even read they were amber! Generally I paint her eye dark in shadow and a light grey in sunlight

If one wants to paint from a photo, would say look at the photo almost more than your art work! Paint what the photo tells you to and it will make sense down the road. I have found that out more than once . Also look at features and shadows as shapes at first...and as you paint, you can begin to check if things are correct by lining them up with other features. Take a ruler to the photo and draw straight line from one point to another ... Does your art work correspond correctly with the photo ? I have found this of great help.

But even though I strictly adhere to the reference photo, I don't feel artistically limited.
A painting of a photograph is not a photo...the brush strokes ensure that. Really it feels like an expansion of the image and moment...turning still picture into film

Portraiture is a dance of exactness and magic . There are moments when one is painting and it's going well when it appears the subject is truly before you. When the brain is not sure for a long enough moment to create the sense of truly seeing them . These are golden moments in art and are magic.

Art truly is magic. There is no logical reason a group of daps or paint strokes should create the sense of seeing someone. But they can . Sometimes we see simply paint on canvas and are unmoved...other times, the picture strikes us forcibly and we "see" the subject

Painting is a fascinating mystery even as one does it...maybe especially then

Tatiana Nikolaevna Romanova was the second eldest daughter of the last Russian Tsar and known in the family as "The Governess" . Anastasia calls her so in a letter to their father and she is complaining of Titania's "bossiness" ! Tatiana liked lists, exactness, and things going as smoothly as possible.

Here is a charming example of Tatiana in action in a letter written by her sister Marie to their father, the Tsar

 
4 January 1916
My Golden Papa!


I am writing to you in the morning. Anastasia is sitting on the divan near the heater drawing something. We changed our rooms about completely - the beds are in the same place, but the screens are shifted to a different place, I can't explain it so clearly in writing how it all is - you'll see it yourself when you come home, which will be, I hope, very soon.

This morning we were at the Big Palace's hospital at 9 o'clock - we hadn't been there in an awfully long time. Yesterday we went to the Kokorevsky Hospital- three of your Yerevanians are being treated there.

In the evening , the day before yesterday, we laughed and laughed. Old aunt Olga rang our Olga, that one of the soldiers from her combined regiment had asked her to come and visit her wounded from that regiment. So then, Olga goes to ring the duty room where Kulyukin was on duty, and a duty guard answers and asks, "Who is on the phone?" She answers, "Olga Nikolaevna." "Which Olga Nikolaevna?" "You don't know Olga Nikolaevna? The one who lives above you?" "No idea what you are on about." "Grand Duchess Olga Nikolaevna - have you got it?!" and then she began laughing nervously when he got all offended and said, "Madame, this is an official telephone line and prank calls are not allowed!" and hung up. Olga stormed out. Within five minutes in comes Tatiana, she rings, the guard knows her, and she explained everything. Yesterday Kulyukin came to the Liturgy and asked Olga's forgiveness of Resin, as he didn't expect her to ring and thought someone was having a joke.

Since Mama's lying down in bed, we're having breakfast and dinner on our own.
Well, bye then. I have to go to breakfast now. I give you a great big hug with love,

Your Kazanets
.


Marie's sign off, "your Kazanets" means "your Kazan regiment member/officer" and is a reference to Marie's status as honorary commander of the 5th Kazansky Dragoons.

Of course Taiana Nikolaevna knew the guard!

" The Governess" indeed!

With the coming of war, the Empress and her two eldest daughters studied and passed tests to become Red Cross nurses. Tatiana had a quite talent for the this vocation. Here we see her love of exactness and order being given great scope. She also greatly enjoyed meeting new people, many she would never would have known but for her hospital work

The war years were very busy for the Grand Duchesses. Tatiana and Olga headed relief committees and fulfilled their usual royal duties as well spending many houses at the hospital ...and they were was no figure heads for their committees . Tatiana's committee was for refugees . Young as she was, she attended meetings and over its saw operations.

Tatiana wrote:

I am at the head of a committee for refugees and have presided two sittings. I felt very grand but wanted to dive under the table from fright as I have got a very stiff and pompous gentleman who is under me

It's to be remembered Taitana was 17 when the war broke out and the girls were not used to be addressed by their full titles . I imagine the gentleman addressed Tatiana as " Your Imperial Highness" many times over the course of a meeting!

After the Revolution, increasingly Tatiana because the point person between the family and their captors. Before the Revolution she was the one the others turned to to ask Alexandra for favors and she then segwayed right into the position of being the one to ask their jailers for concessions... On the last day of their lives, she was the one who asked why was the kitchen boy sent away.

Her tutor Gillard on Tatiana's character :


"Tatiana Nicolaievna was rather reserved, essentially well-balanced, and had a will of her own, though she was less frank and spontaneous than her elder sister. She was not so gifted, either, but this inferiority was compensated by more perseverance and balance. She was very pretty, though she had not quite Olga Nicolaievna's charm.

If the Tsarina made any difference between her children, Tatiana Nicolaievna was her favorite. It was not that her sisters loved their mother any less, but Tatiana knew how to surround her with unwearying attentions and never gave way to her own capricious impulses. Through her good looks and her art of self-assertion she put her sister in the shade in public, as the latter, thoughtless about herself, seemed to take a back seat. Yet the two sisters were passionately devoted to each other. There was only eighteen months between them, and that in itself was a bond of union."


 
Indeed. Tatiana and Olga, the eldest, were called "The Big Pair." They were some what opposite in their approach to life. But as Gillard mentions were devoted to each other, drew on each other's strengths for support and indeed met their deaths in each others arms. The two youngest sisters, Marie and Anastasia , known as "The Small Pair" , depended on each other as well. Anastasia wrote her sister Marie a touching letter when the family was separated in 1918 and stated "when the sisters sit together in the evening , you are missed. "

But Here is a delightful annotate from Tatiana's younger years

........The girls were very fond of the people who took care of them, one of them being naturally their nurse Margaret Eagar. One day Tatiana was being made ready to go out and Miss Eagar went to get her coat. But when she returned, she saw the other nurse shaking the girl " How dare you shake Tatiana?" Eagar exclaimed. "You are paid to take care of her, not to correct her!" The child turned her eyes to Eagar and asked, obviously surprised: "She is paid?" "Yes," replied the governess. " She is paid and I, also, am paid."

Hearing that, little Tatiana put her head on her nurses shoulder and wept bitterly. Miss Eagar was flummoxed. "You have seen me get my money every month," she tried to figure out what was actually wrong. But Grand Duchess Tatiana stated: "I always thought it was a gift to you!" A long explanation followed where Tatiana was told it was necessary the governess was paid, as she had no money of her own and her way of earning her living and money was to look after the children.

The next morning Miss Eagar awoke and Tatiana was standing by her bed. "May I get into your bed?" the child pleaded. And as she cuddled down in the arms of the governess she exclaimed: "Anyway, you don't get paid for this."
 
LOL! How true!

___________________________________________________________________________________

This is a telling anecdote from so much later told by Lili Dehn in her book "The Real Tsaritsa" :This was the when Lili Dehn was ordered to leave the family while she was staying with them at Alexander Palace in 1917.

"Zanoty had packed my suitcase, and the Empress now sent her to fetch a sacred medal, which she hung round my neck, blessing me as she did so. At the last moment, Tatiana ran out of the room, and returned with a little leather case containing portraits of the Emperor and Empress which had stood on her special table ever since she was a tiny child.

"Lili," she cried, "if Kerensky is going to take you away from us, you shall at least have Papa and Mama to console you". We walked slowly towards the head of the great staircase…the moment for saying farewell had arrived…I tried to be brave… the silence was unbroken save by Tatiana’s stifled sobbing. Olga and the Empress were quite calm, but Tatiana, who has been described by most contemporary historians as proud and reserved, made no secret of her grief."
 
Sometimes those famous for their reserve show us their manner stems not from a lack of feeling...but from an abundance.

Tatiana Nikolaevna cared deeply about how things went for her family and her county. I sometimes think she was the most sensitive of the Tsar children .

 and now some letters by Tatiana Nikolaevna in captivity
_________________________________________________________
From Tatiana Nikolaevna to ZS Tolstoya

Tsarskoe Selo, 23 June 1917

Dearest ZS,

I am terrible ashamed that I still have not thanked you for your letter on the 29th of May and the lovely embroidered bags. I took the bluish one with multicolored flowers, Olga-blue with yellow roses, Anastasia- pink, and Maria- all yellow. They are very useful and those always remind us of you. Mom always takes her bag to the garden with a book or something else.

The weather here is warm all the time, then comes heavy rain and it became much lighter. But, we need the rain more as it’s very dry around us. How are you all? Does your husband read aloud to you while you work? In the evenings after we have our dinner, we all work too while Papa reads to us. We are now finishing the sixth volume of the book "Le Comte de Monte Cristo" by Alexandre Dumas. Do you know it? It is extremely interesting. Earlier, we have read about different detectives which are also interesting.

Well, goodbye, dear ZS. I will wait for your letters. I strongly kiss you and also Dalechka. Greetings to your husband and Sergei. Remove the sticker and send me your card. I will be very glad to have it.


Tatiana+
____________________________________________________________________________________________________

Tobolsk, home of the Governor, on October 2, 1917,

addressed to Zénaïde Sergïévna Tolstoy
,

My dear and kind Zénaïda Sergïévna, I am so ashamed of you just write today to thank you wholeheartedly for your nice letter of 30 VIII and I have already received here. Thank you very much Dalitchka [nickname Nathalie Petrovna Tolstoy] and I write him another time. We often think you and hope you are in good health. Basically, in general, we have setlled. The house was not large but comfortable [it is the governor's house to Tobolsk, where was the imperial family prisoner in August 1917 in the spring of 1918]. There is a balcony where we sit often. The weather here is almost every day magnificent. It is very hot, but the leaves fall hard. Behind the kitchen is a small garden with a vegetable garden in the middle. You can visit without any exaggeration, in three minutes. After we closed a portion of the order in front of the house, where we walk, that is backwards and forwards -120 not long. Here, the streets are covered by wooden boards. In many places there are big holes, but everyone runs well. Our windows overlook the street. Watching passers is about our only distraction. We went three times to the church-it was such a great consolation and joy! On Saturdays and other times, we had the typical and vigils here in a room. Of course, it's good, but can not replace a church. There are already a half years that we are no longer went to a true church, because Tsarskoïé Selo we had a church on rounds.

From our windows we have a splendid view over the mountain, the high city and the cathedral. Too bad we can not see the river. Time passes quickly in a monotone. We work, read, play the piano, interspersed with walks and lessons. That's it. How are you, and you spend your time? This winter resterez-vous locally or partirez-vous to Tsarskoïé? I heard that the husband OK Lives in S., not far from home. I do not know if it is there, and I do not know his address. I would be grateful if you hold me to procuriez. If you see Moussia, please tell him that I thank him for his letter and I kiss him. Write directly to my address here or on behalf of the Commissioner Pankratov [Vassily Séménovitch Pakratov responsible for the supervision of captives], through which all correspondence. So, goodbye, my dear and kind Zénaïda Sergïévna. I often think of you. Your bags are with us. I embrace you very much, and Dalia. Greetings to your husband and Seriocha [nickname Serge Tolstoy]. When a finger touches the small leaf, it smells good. I think that is it named geranium

Tatiana

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This next letter is to V.I. Chebotareva , a young married woman and fellow nurse who befriended the Grand Duchesses, particularly Tatiana, during the war.



Tatiana Nikolaevna to V. I Chebotareva- 9 December 1917

We’re like living in a faraway place and that we get to another world. Many stupid rumors are written in the newspapers that you probably read but all of them are untrue. We even have a newspaper clipping which said of my escape to America!
I hope that you will not believe it. I wonder who made these silly inventions…

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 In this next letter Tatiana speaks of the theatrical plays the family put on while in Tobolsk. It's amazing to think Nicholas and Olga acted in Chekhov's play "The Bear" but they did. It's a very funny play and it's made even funnier when one thinks of them speaking its words to each other....that is but one play of the number of plays the group put on . Pyotr Petrov had been her teacher since childhood


--------------------------------------------------------------------------------------------

Tatiana Nikolaevna to Pyotr Petrov, 26 January 1918

Hello, sweet Pyotr Vasilievich,

Thank you very much for your two letters. I was verytouched that you wrote so much. We are in complete health, thank God, live quietly as before, and strangely enough, so far none among us has fought with anyone else. In the morning we have lessons for two hours, from 9 to 11, walk for an hour, and study for another hour. After lunch we walk again-- usually until 4, and if it's really good weather, then for
longer.

Before tea, we work or occupy ourselves for a while with something. After tea and before supper there are often rehearsals of some play. We have already put on three. All the same, we're still practicing another little diversion, and it's good for conversation.

A small [snow and ice] hill has been built in our yard. When we get bored with walking back and forth, then we slide down it, and often we take very funny falls. Once Zhilik ( Gilliard ) ended up sitting on my head. I begged him to get up, but he couldn't because he had sprained his ankle and it hurt. Somehow I crawled out.



It was terribly silly and funny, but he still had to lie down for a few days because of his ankle. Another time I was going down the hill backwards and banged the back of my head really hard against the ice. I thought nothing would be left of the hill, but it turned out that neither I nor my head burst, and my head didn't even hurt. I've got a hard head, don't I? Eh?

We also had very cold weather with a particularlystrong wind-- it sliced terribly at my face. It was very cold in the rooms. In the hall it was 5 30/4degrees [42 degrees Farenheit]. Not far from Mr. Conrad's. Please console him at least a little bit.Does he get letters from his wife? How can it be that you still haven't gone to the show in the Chinese theater? Oh! What famous things you are missing!

Did Yury Petrovich get my postcard? All the best. We
send greetings to his sister, too.

Be well. We send everyone heartfelt regards.

Tatiana

 _______________________________________________________________________________


To Princess Nadezhda Orlova née Petrovna (daughter of Pyotr Petrov, tutor of the Grand Duchesses)

2 October 1917 - Tobolsk
All of us are here and everything is in order. The house was small but cozy. It has a balcony where we sit on much. Almost everyday, the weather is wonderful, very warm but many leaves fall. We get much air here. There also is small garden behind the kitchen.

We walk around the garden for only three minutes. A part of the street we walk on in front of the house was fenced. We walk to and fro - about 120 steps long. The streets here are all covered with wooden planks, and in many places, there are big holes, but one can drive safely. Our windows look out onto the street, so we have fun looking at the passers-by. Thrice we went to church - it was such a comfort and joy! On Saturdays and other days, we have vespers and obednitsa. Certainly, those are good but still, it cannot replace a true church. Time passes quickly and monotonously. We work, read, play the piano, walk, and have lessons. Those are all for now. Directly address your letter to me, or in the name of Commissioner Pankratov, through whom all letters go firstly…

Tatyana
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From Tatiana Nikolaevna to VI Chebotareva)
Tobolsk, 1 / 14 May 1918

Tobolsk 1/14 May 1918
Dear Valentina,

How long had it been since I sent you a letter? How are you now? Have you received the parcel


I sent you? How did you spend your holidays? They were sad for us since we were without Papa and Mama. You have probably already heard they were taken away from us. It was so sad to separate ourselves from them. You are sure to understand. Maria went with them and we stayed with my brother, who is sick. Of course, we were not told where to and for what purpose they were being taken, neither they knew anything. Almost a week after their departure, we learned that they had arrived at Ekaterinburg. We receive letters from them. It is such a joy for us. Mama’s heart is hurting very much as a consequence of the awful road to Tyumen – they had to travel over 200 versts by horses along a horrible road. They spent nights in villages. Now they live in three rooms. Before their windows is a huge fence, so one sees only the top of a church. We are now expecting to leave shortly as soon as brother fully recovers.

Do you have news from your husband (Lieutenant General AP Chebotarev)? Where is Grisha( V's son) – what is he doing now? We have no news from Bibi, perhaps her letters to us have not arrived yet. I hope you are all healthy. I worried a lot about you for it has been a long time since we wrote each other. Is O.P (?) with her husband? Did you see them? I would be very glad if you write back and would send it directly to me. Olga kisses you. We had warm weather almost everyday and we still wear the same dresses, but on holidays, it was cold and the snow fell. Now again, it gradually becomes warmer. Where are L.F. (?) and her husband (Lieutenant General Krasnov)? Think of it– Onoshko surprisingly wrote us twice nice letters. Honestly, I never ever expected something from him, my dear boy. Well, goodbye for now, my dear Valentina Ivanovna. I remember the hospital and all of you often. Good luck and God bless you. How (…)? I firmly and gently kiss you. Send my greetings to everyone who remembers me.

Your Tatyana.



" Send my greetings to everyone who remembers me. "

Tatiana Nikolaevna


She is not fogotten









I also include Tatiana's video showing how her painting was made






My next Romanov painting is of Marie , Olga and Tatiana when they were about to attend the last state funeral of Imperial Russia in 1915. It's been an adventure already!